“Signiant helped us to create one of the most advanced automated news workflows in the world, where we avoid time-consuming repetitive tasks, expedite content movement and give our staff the tools to use the wealth of user- sourced content to create engaging news packages across all our media properties,” said Rune Hagberg, Solutions Architect at NRK. “During the Olympics, Signiant’s solution proved its power for greatly accelerating content delivery, and now that we are integrating it with a host of mission-critical broadcast systems, it has become a vital part of our operations infrastructure.” Continue reading
A practical approach to standardization requires more than object models and interface definitions to gain serious traction. Consequently, the FIMS Technical Board recognized the need for a tool to help FIMS implementers validate their implementations. Signiant did as well, given the test-driven development methodology we use to develop software. Using such an approach, developers create and code tests to validate an implementation before coding it. This leads to higher quality products that can be evolved quickly. Continue reading
Known for its conversion work on “Titanic 3D” and “The Chronicle’s of Narnia: The Voyage of the Dawn Treader,” Venture 3D is using Media Shuttle to deliver the film “Journey to the West: Conquering the Demons” directed by Stephen Chow of “Shaolin Soccer” and “Kung Fu Hustle” fame. Venture 3D’s business success on the project requires the ability to move massive files – sometimes 200-300 GB in a single transfer – to multiple entities across Asia. As such the company required a solution that would give their global partners access to large files without the administrative constraints of FTP. Continue reading
Doubling the number of events has forced ESPN to drastically rethink how it produces and distributes the X Games — both in the U.S. and abroad. In that vein, the ESPN brain trust has developed a cookie-cutter–style production model that will be essentially duplicated at all six X Games this year. The new workflow reduces on-site staff and gear, while using ESPN’s Bristol, CT, broadcast center as a de facto IBC (International Broadcast Center) for graphics insertion, features editing, live-feed integration, global distribution, and more. The revamped production model debuts this week in Aspen. Continue reading
For the past 10 days, the Australian Open in Melbourne has helped tennis fans and others with the winter blues get a taste of summer: the sun always seems to shine on this opening Grand Slam event. And the production teams at ESPN, Tennis Channel, and Channel Seven Australia, and production-services team at Gearhouse Broadcast have been at the center of creating that taste of summer. Continue reading