metadata

At Signiant, we work with metadata way more closely than few humans will ever do. Like the limitless nature of data, the possibilities of what you can do with metadata are also limitless. Harnessing that power in an AV workflow is why Signiant exists.

Anonymized data helps Signiant serve customers by optimizing the software in real-time for better performance and experiences. Read more about how anonymized data enables continuous optimization and increased ability to produce better content at a lower cost.

Signiant helps media companies move beyond the use of inflexible metadata input forms and implement solutions to optimize efficiency and data integrity.

Media Shuttle’s IMF capabilities are a clear example of Signiant’s commitment to meeting the needs of the media industry.

Last week, Margaret Craig spoke with Matt Eaton, managing director for EMEA at GrayMeta, on their Metadata Matters podcast.

As media supply chains and workflows become increasingly complex, organizations need access to tools that allow them to avoid inter-company transfer obstacles and connect easily with trusted partners.

In the latest installment of Metadata Everywhere: Filtering Media Deliveries with Pre-transfer Asset Validation, Signiant shares how its SDCX architecture extracts embedded metadata for pre-transfer asset validation.

In this month’s Metadata Everywhere installment, Signiant explains “How Signiant’s Intelligent Transport Adapts to Provide Fast, Seamless Access to Media Assets on Any IP Network.”

To deliver on the ‘intelligence’ in Signiant’s intelligent file transfer software, we generate, extract, manage, and take actions based on all sorts of metadata.

Signiant announced that premiere New York-based production and post production firm Harbor Picture Company has adopted Media Shuttle to move large media files quickly, easily and securely between its worldwide customers and partners. Harbor, whose credits include acclaimed television shows and films such as “Game of Thrones,” “St. Vincent,” “Into the Woods,” “Pawn Sacrifice,” “Marco Polo,” and “A Most Violent Year,” uses Signiant for many of its critical file transfers.

Signiant and Modern VideoFilm, one of L.A.’s top independent post production facilities, today provided new insight into the worldwide file-based workflows that underpin the creation of award-winning feature films and hit television shows. Post production companies of all sizes rely on Signiant’s file transfer software to move their large digital assets quickly and securely between teams distributed around the world, and Modern’s latest work takes the scale and reach of distributed finishing to new levels.

For the past 10 days, the Australian Open in Melbourne has helped tennis fans and others with the winter blues get a taste of summer: the sun always seems to shine on this opening Grand Slam event. And the production teams at ESPN, Tennis Channel, and Channel Seven Australia, and production-services team at Gearhouse Broadcast have been at the center of creating that taste of summer.