Media Shuttle

As production teams look to do more with fewer people on site, traditional file transfer methods present significant challenges causing broadcasters to find alternatives.

Media Shuttle is the fastest ‘hands on’ way to transfer large digital assets. In this data sheet, you’ll learn about Media Shuttle’s key benefits and features, as well as its system requirements and unique hybrid SaaS architecture.

One of the challenges faced in the M&E business is that it’s not that easy to just “take your work home with you.” This guide shares seven important considerations to keep in mind while implementing a remote working strategy that supports a distributed media workforce.

Media Shuttle is a simple-to-use, yet powerful enterprise-grade SaaS solution that makes it easy for people to send, share and access any-size file anywhere, fast.

The most comprehensive asset on Media Shuttle to date, this product white paper covers how cloud technology has enabled a new generation of large file movement solutions, explaining Signiant’s core technology, Media Shuttle’s system architecture, TCO, pricing model, enterprise features, as well as the Web Transfer API and how to use Shuttle with cloud storage.

Why WeTransfer, FTP and shipping hard drives are no longer viable for media and what you can do about it.

As a cloud-native SaaS solution, we’re able to innovate constantly with Media Shuttle and roll out new capabilities to our customers without any interruption of service. This eGuide provides an overview of ten areas where we’ve recently advanced the Media Shuttle platform.

While there are plenty of tools for getting data into the cloud, professional media requirements are particular and early cloud adopters spent millions building highly customized ingest applications. Today, that trend is shifting in favor of off-the-shelf SaaS solutions.

“Because we have Media Shuttle, we don’t have to ship hard drives and we don’t have to wait for bandwidth to open up, we just shoot it off. It’s available within twenty-four to forty-eight hours after the content is ordered.”

“When we produce a game, it typically involves hundreds of people, programmers, artists, game designers and testers, from multiple studios around the world.”

“FTP physically pains me, now that I’m used to Media Shuttle. If we have to pull an episode off a client’s FTP, it takes at least a day or two of just waiting to get the footage.”

This case study covers COPA90’s record-breaking coverage of the 2018 World Cup, backed by BASE Media Cloud, Signiant Media Shuttle and an innovative model for fan-produced content.