June 3, 2013 3:27 pmPublished by Jon Finegold
On May 30th, 2013 Digital Production Buzz interviewed Woody MacPhail, Producer, and Luke Van Dyk, Head Engineer, both from the Banff Mountain Film and Book Festival highlighting how they are using Signiant’s Media Shuttle to collect submissions for their annual film festival.
February 23, 2013 4:04 pmPublished by Lisa Clark
A practical approach to standardization requires more than object models and interface definitions to gain serious traction. Consequently, the FIMS Technical Board recognized the need for a tool to help FIMS implementers validate their implementations. Signiant did as well, given the test-driven development methodology we use to develop software. Using such an approach, developers create and code tests to validate an implementation before coding it. This leads to higher quality products that can be evolved quickly.
February 6, 2013 12:15 amPublished by Lisa Clark
Known for its conversion work on “Titanic 3D” and “The Chronicle’s of Narnia: The Voyage of the Dawn Treader,” Venture 3D is using Media Shuttle to deliver the film “Journey to the West: Conquering the Demons” directed by Stephen Chow of “Shaolin Soccer” and “Kung Fu Hustle” fame. Venture 3D’s business success on the project requires the ability to move massive files – sometimes 200-300 GB in a single transfer – to multiple entities across Asia. As such the company required a solution that would give their global partners access to large files without the administrative constraints of FTP.
January 24, 2013 12:04 amPublished by Our Customers
Doubling the number of events has forced ESPN to drastically rethink how it produces and distributes the X Games — both in the U.S. and abroad. In that vein, the ESPN brain trust has developed a cookie-cutter–style production model that will be essentially duplicated at all six X Games this year. The new workflow reduces on-site staff and gear, while using ESPN’s Bristol, CT, broadcast center as a de facto IBC (International Broadcast Center) for graphics insertion, features editing, live-feed integration, global distribution, and more. The revamped production model debuts this week in Aspen.
January 22, 2013 11:57 pmPublished by Lisa Clark
For the past 10 days, the Australian Open in Melbourne has helped tennis fans and others with the winter blues get a taste of summer: the sun always seems to shine on this opening Grand Slam event. And the production teams at ESPN, Tennis Channel, and Channel Seven Australia, and production-services team at Gearhouse Broadcast have been at the center of creating that taste of summer.
December 21, 2012 4:30 pmPublished by Lisa Clark
“We embed producers with each of the teams: they travel on the team plane, they travel on the team bus, and they feed us back stories that we want to get turned around very quickly,” says Ed Holmes, director of engineering, MLSE. “We take the game and create what we call a Game in Six, which is a six-minute highlight package, [and] we integrate that with a lot of the feature things. I mean, we shoot on the bus, we shoot anywhere we can, [and] we try to get it back here to Toronto as quickly as possible.”
December 6, 2012 8:03 pmPublished by Lisa Clark
This year’s EMA awards on MTV were held in Frankfurt, but the broadcaster needed the content at its London headquarters for playout and for repurposing for online and mobile. The solution was to use Signiant file transfer software for secure and accelerated delivery of show highlights.
December 2, 2012 3:22 pmPublished by Lisa Clark
“For previous festivals, we relied on free file sharing sites for digital film submissions. With finished file sizes exceeding 2Gb, filmmakers often experienced long upload times – up to three hours – and if transfers were interrupted for any reason, time was lost and they had to start all over again,” said Festival President Kevin Burton. “With 60 days to make their films, every minute counts.” In addition to submission of lower resolution judging versions of entries, Media Shuttle will be used to submit the final ProRes digital film versions for screening, instead of relying on couriers or in-person deliveries.
November 30, 2012 2:08 pmPublished by Lisa Clark
One factor that drove our adoption of the Signiant solution were requests from several of our large studio customers that also have existing investments in Signiant. The software provides powerful security, management and control of automated file exchanges between 2G Digital and clients with Signiant agents, speeding such tasks as the processing of raw content, adding metadata and closed captions, or formatting conversions for distribution in other countries. Signiant’s Media Exchange software offers 2G Digital a powerful and interactive tool for initiating desktop-to-desktop transfers, in turn enabling secure delivery of finished content to broadcasters and playout centers.
November 28, 2012 2:09 pmPublished by Lisa Clark
In this game-changing era of multi-platform content delivery, media and entertainment professionals need convenient ways to exchange digital assets with people inside and outside of their organizations. In this article, we’ll describe a new breed of cloud systems that offer all of the ease, convenience and flexibility of the most popular file-sharing services, with the enterprise-level security and administration required to protect and manage high-value digital assets.
November 8, 2012 2:39 pmPublished by Lisa Clark
Signiant software will deliver digital media-cleared versions of news, as well as backstage blogs, interview and press conferences, back to London for encoding and delivery. It will also deliver daily content from the MTV2 US production team back to New York, via London, for broadcast and other online uses.
November 6, 2012 11:12 pmPublished by Lisa Clark
A new cloud-based approach from Signiant offers the promise of consistent validation of file-based content throughout the content distribution ecosystem. Instead of doing what the majority of content players do now – validating and correcting file compliance AFTER the transfer occurs – this new approach helps ensure that the right media format gets delivered for the right platform BEFORE the transfer occurs – saving everyone time and money.
