Customers are always forefront on our minds, but 2020 raised that to new heights. From conversations throughout the M&E landscape, along with a look at the metrics on our SaaS platform, we are proud of the role Signiant’s software played in helping our customers adapt quickly.
When working with ENVY Remote, users need a secure and efficient way to move content into and out of the platform. As noted on their website: ENVY Remote’s Files service, uses Signiant to give the team secure access to their Client Store.
As we head into 2021, it doesn’t appear companies are looking back, but rather are reflecting on what they learned and are now focused on shoring-up those workflows and tools.
At any given time, a single piece of content can have dozens of versions to support all the formats, languages, and local regulations. This is why SMPTE published the IMF (Interoperable Master Format) standard.
On November 17, 2020, the newly formed Entertainment Globalization Association (EGA) was announced with the goal of helping support localization services. Based in Los Angeles, the 60-company consortium is billed as the first M&E association centered on content globalization in media.
The 2020 Overwatch League Grand Finals were a prime example of how M&E organizations have approached remote production as an opportunity to evolve the way they work, not just an inconvenience to which they must adjust.
As the newest addition to our growing list of storage options, we’re happy to introduce S3 compatible on-prem object storage support for Media Shuttle.
This newest round of changes to Media Shuttle are specifically tailored to make it easier than ever for M&E professionals to work quickly and efficiently.
Workflows are often hectic for all involved, and it’s critical that teams be able to effectively manage their files before, during and after a transfer. Jet automates these repetitive tasks to put less strain on IT and operations teams.
As streaming has become an increasingly valuable asset across M&E, and proved to be an extremely effective means of distribution, Nielsen’s acknowledgement feels like an official baptism of OTT productions.
