Known for its conversion work on “Titanic 3D” and “The Chronicle’s of Narnia: The Voyage of the Dawn Treader,” Venture 3D is using Media Shuttle to deliver the film “Journey to the West: Conquering the Demons” directed by Stephen Chow of “Shaolin Soccer” and “Kung Fu Hustle” fame. Venture 3D’s business success on the project requires the ability to move massive files – sometimes 200-300 GB in a single transfer ­– to multiple entities across Asia. As such the company required a solution that would give their global partners access to large files without the administrative constraints of FTP.

Known for its conversion work on “Titanic 3D” and “The Chronicle’s of Narnia: The Voyage of the Dawn Treader,” Venture 3D is using Media Shuttle to deliver the film “Journey to the West: Conquering the Demons” directed by Stephen Chow of “Shaolin Soccer” and “Kung Fu Hustle” fame. Venture 3D’s business success on the project requires the ability to move massive files – sometimes 200-300 GB in a single transfer ­– to multiple entities across Asia. As such the company required a solution that would give their global partners access to large files without the administrative constraints of FTP.

Doubling the number of events has forced ESPN to drastically rethink how it produces and distributes the X Games — both in the U.S. and abroad. In that vein, the ESPN brain trust has developed a cookie-cutter–style production model that will be essentially duplicated at all six X Games this year. The new workflow reduces on-site staff and gear, while using ESPN’s Bristol, CT, broadcast center as a de facto IBC (International Broadcast Center) for graphics insertion, features editing, live-feed integration, global distribution, and more. The revamped production model debuts this week in Aspen.

“With Media Shuttle, we have the ease of use and flexibility of a cloud-based solution, but files arrive directly on a server sitting on our premises, which cuts delivery time in half compared to other products on the market,” said George Rizkallah, founder and CEO of The Product Factory, a Burbank-based creator of animation TV shows. “As a subscription-based solution, Media Shuttle also lets us avoid sizable capital outlays. After working for years with customers like Marvel and NFL Films who routinely send us large digital files using Signiant’s solutions, it’s a delight to be able to access all of the key capabilities of Signiant in an affordable, easy to use tool like Media Shuttle.”

For the past 10 days, the Australian Open in Melbourne has helped tennis fans and others with the winter blues get a taste of summer: the sun always seems to shine on this opening Grand Slam event. And the production teams at ESPN, Tennis Channel, and Channel Seven Australia, and production-services team at Gearhouse Broadcast have been at the center of creating that taste of summer.

The newest addition to Signiant’s portfolio of accelerated file transfer solutions, Media Shuttle provides an effective alternative to FTP and public file sharing solutions – without associated file size constraints or security risks. Media Shuttle’s hybrid SaaS architecture gives IT the power to determine where content is stored – on private networks or in the cloud – and how network resources should be allocated for maximum enterprise efficiency.

“We embed producers with each of the teams: they travel on the team plane, they travel on the team bus, and they feed us back stories that we want to get turned around very quickly,” says Ed Holmes, director of engineering, MLSE. “We take the game and create what we call a Game in Six, which is a six-minute highlight package, [and] we integrate that with a lot of the feature things. I mean, we shoot on the bus, we shoot anywhere we can, [and] we try to get it back here to Toronto as quickly as possible.”

This year’s EMA awards on MTV were held in Frankfurt, but the broadcaster needed the content at its London headquarters for playout and for repurposing for online and mobile. The solution was to use Signiant file transfer software for secure and accelerated delivery of show highlights.

“For previous festivals, we relied on free file sharing sites for digital film submissions. With finished file sizes exceeding 2Gb, filmmakers often experienced long upload times – up to three hours – and if transfers were interrupted for any reason, time was lost and they had to start all over again,” said Festival President Kevin Burton. “With 60 days to make their films, every minute counts.” In addition to submission of lower resolution judging versions of entries, Media Shuttle will be used to submit the final ProRes digital film versions for screening, instead of relying on couriers or in-person deliveries.

The London Games this past summer served as a coming-out party of sorts for mass deployments of file-based workflows within sports production. The ability to exchange high-quality files between the IBC in London and home bases oceans away became a reality, allowing many broadcasters to leave crew at home and save on expensive accreditation and travel costs.