CloudSpeX matches file types and metadata against a cloud-based directory of published specifications to ensure that assets comply with customer-defined delivery format requirements. In moving validation out of the client and into the cloud, CloudSpeX provides a uniform mechanism for automatically checking files against a chosen specification across the entire content ecosystem.

Qvest Media focuses on the distribution of high-end broadcasting and media solutions of renowned international and German manufacturers and specializes in on-site systems integration. As one of the leading systems integrators, they are also able provide their customers with the most sophisticated solutions for workflow automation. The company was named as “System Integrator of the Year 2012” by a top-class jury at CABSAT 2012. Qvest Media’s customers in the region include leading broadcast, media and telco organizations, such as Al Jazeera, Dubai Media Incorporated, Al Rayan TV, Etisalat, twofour54 and Eqtisadia TV.

A+E Networks UK joins a fast growing number of organizations worldwide that are adopting Media Shuttle to fill the gaps of online file sharing and FTP solutions. Media Shuttle, the newest addition to Signiant’s portfolio of accelerated file transfer solutions, provides an effective alternative to these technologies – but without associated file size constraints or security risks.

A practical approach to standardization requires more than object models and interface definitions to gain serious traction. Consequently, the FIMS Technical Board recognized the need for a tool to help FIMS implementers validate their implementations. Signiant did as well, given the test-driven development methodology we use to develop software. Using such an approach, developers create and code tests to validate an implementation before coding it. This leads to higher quality products that can be evolved quickly.

Feinzig joins Signiant from Sermo, the largest online physician community in the U.S., where as CFO, he helped scale the digital media company across multiple channels and regions. Prior to this, Feinzig was vice president of finance at Gomez – an Internet infrastructure company – during the time when the rapidly growing SaaS company was in the SEC filing process to go public and was sold to Compuware in a highly successful transaction.

Known for its conversion work on “Titanic 3D” and “The Chronicle’s of Narnia: The Voyage of the Dawn Treader,” Venture 3D is using Media Shuttle to deliver the film “Journey to the West: Conquering the Demons” directed by Stephen Chow of “Shaolin Soccer” and “Kung Fu Hustle” fame. Venture 3D’s business success on the project requires the ability to move massive files – sometimes 200-300 GB in a single transfer ­– to multiple entities across Asia. As such the company required a solution that would give their global partners access to large files without the administrative constraints of FTP.

Known for its conversion work on “Titanic 3D” and “The Chronicle’s of Narnia: The Voyage of the Dawn Treader,” Venture 3D is using Media Shuttle to deliver the film “Journey to the West: Conquering the Demons” directed by Stephen Chow of “Shaolin Soccer” and “Kung Fu Hustle” fame. Venture 3D’s business success on the project requires the ability to move massive files – sometimes 200-300 GB in a single transfer ­– to multiple entities across Asia. As such the company required a solution that would give their global partners access to large files without the administrative constraints of FTP.

Doubling the number of events has forced ESPN to drastically rethink how it produces and distributes the X Games — both in the U.S. and abroad. In that vein, the ESPN brain trust has developed a cookie-cutter–style production model that will be essentially duplicated at all six X Games this year. The new workflow reduces on-site staff and gear, while using ESPN’s Bristol, CT, broadcast center as a de facto IBC (International Broadcast Center) for graphics insertion, features editing, live-feed integration, global distribution, and more. The revamped production model debuts this week in Aspen.

“With Media Shuttle, we have the ease of use and flexibility of a cloud-based solution, but files arrive directly on a server sitting on our premises, which cuts delivery time in half compared to other products on the market,” said George Rizkallah, founder and CEO of The Product Factory, a Burbank-based creator of animation TV shows. “As a subscription-based solution, Media Shuttle also lets us avoid sizable capital outlays. After working for years with customers like Marvel and NFL Films who routinely send us large digital files using Signiant’s solutions, it’s a delight to be able to access all of the key capabilities of Signiant in an affordable, easy to use tool like Media Shuttle.”

For the past 10 days, the Australian Open in Melbourne has helped tennis fans and others with the winter blues get a taste of summer: the sun always seems to shine on this opening Grand Slam event. And the production teams at ESPN, Tennis Channel, and Channel Seven Australia, and production-services team at Gearhouse Broadcast have been at the center of creating that taste of summer.