Media Shuttle

The high-growth trajectory of our SaaS business has continued in 2019, with Media & Entertainment customers deploying ever-larger footprints of our innovative solutions to power their mission-critical workflows.

The importance and power of robust visibility and control functionalities cannot be overstated, especially in media where files move constantly and security is top-of-mind. The solutions a business relies on to move their content will often dictate their agility, and their ability to complete complex projects.

"Media Shuttle’s accessible and intuitive portals allow us to send files of all kinds to technicians, marketing personnel, production assistants, etc., and there is never a problem in understanding how the system works."

The M&E industry is in an exciting period of transformation, and Signiant is thrilled to be in the midst of it. Nowhere was this energy more apparent than at this year’s IBC, where we had the opportunity to speak with a wide range of organizations, vendors, and thought leaders to better understand where businesses are at, where they’re going, and what they need.

The modern M&E landscape is a hurricane of collaboration—across internal teams, contractors, partners and distributors. It’s this collaboration that not only defines how most media organizations approach content creation and distribution, but it is also largely what has contributed to the development and success of evolving technologies and artistic visions.

The demand for content across platforms, devices and regions continues to grow, adding complexity - and opportunity - across the global media supply chain. It is this that led to the development of the IMF standard and its growing adoption by major studios and broadcasters worldwide.

“Because we have Media Shuttle, we don't have to ship hard drives and we don't have to wait for bandwidth to open up, we just shoot it off. It's available within twenty-four to forty-eight hours after the content is ordered.”

“When we produce a game, it typically involves hundreds of people, programmers, artists, game designers and testers, from multiple studios around the world."

COPA90 has a huge following, but they do not have the huge on-premises infrastructure common for covering large sports events. Here's how COPA90 pulled off their World Cup coverage.

Upgrading your network without acceleration is like going from a country road to a major highway, while driving a moped; you could go super fast if your transport mechanism allowed it.